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The Theater of Heiner Müller. By Jonathan Kalb. Cambridge: Cambridge University Press, 1998; pp. 255, illustrations, $59.95 hardcover. - The Theatre of Robert Wilson. By Arthur Holmberg. Cambridge: Cambridge University Press, 1996; pp. 229, illustrations, $ 54.95 hardcover. JOURNAL ARTICLE published November 1999 in Theatre Survey |
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Church and Stage in Victorian England. By Richard Foulkes. Cambridge: Cambridge University Press, 1997; pp. 263. $59.95 hardcover. - Shakespeare's Victorian Stage: Performing History in the Theatre of Charles Kean. By Richard W. Schoch. Cambridge: Cambridge University Press, 1998; pp. 208. $54.95 hardcover. JOURNAL ARTICLE published May 1999 in Theatre Survey |
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Early Cambridge Theatres: College, University and Town Stages, 1454–1720. By Alan H. Nelson. Cambridge: Cambridge University Press, 1994. Pp. xiv + 194 + illus. £35 Hb. JOURNAL ARTICLE published 1998 in Theatre Research International |
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The Cambridge History of American Theatre, Volume I: Beginnings to 1870. Edited by Don B. Wilmeth and Christopher Bigsby. Cambridge: Cambridge University Press, 1998; pp. 525. Illustrations. $69.95. JOURNAL ARTICLE published November 1998 in Theatre Survey |
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Performing Shakespeare in Japan. Edited by Minami Ryuta, Ian Carruthers, and John Gillies. Cambridge: Cambridge University Press, 2001; pp. 259 + illus. $74.95 hardcover; Shakespeare and the Japanese Stage. Edited by Takashi Sasayama, J. R. Mulryne, and Margaret Shewring. Cambridge: Cambridge University Press, 1998; pp. 357 + illus. $74.95 hardcover. JOURNAL ARTICLE published May 2002 in Theatre Survey |
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Women and Victorian Theatre. By Kerry Powell. Cambridge: Cambridge University Press, 1997., pp. xiii + 202. $52.95. - Actresses on the Victorian Stage: Feminine Performance and the Galatea Myth (Cambridge Studies in Nineteenth-Century Literature and Culture no. 16). By Gail Marshall. Cambridge: Cambridge University Press, 1998., pp. xiv + 233. $54.95. JOURNAL ARTICLE published November 1999 in Theatre Survey |
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American Drama: The Bastard Art. By Susan Harris Smith. Cambridge: Cambridge University Press, 1997; pp. 248. $ 49.95 hardcover. JOURNAL ARTICLE published May 1998 in Theatre Survey |
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Theatre of Chaos: Beyond Absurdism Into Orderly Disorder. By William W. Demastes. Cambridge: Cambridge University Press, 1998; pp 190. 18 illustrations. $54.95 hardcover. JOURNAL ARTICLE published November 1998 in Theatre Survey |
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The Quest for Shakespeare's Globe. By John Orrell. Cambridge: Cambridge University Press, 1983. Pp. xv + 187. £20.00. - Ben Jonson, Dramatist. By Anne Barton. Cambridge: Cambridge University Press, 1984. Pp. xiv + 370. £30; £9.95. - Theatre and Crisis: 1632–1642. By Martin Butler. Cambridge: Cambridge University Press, 1984. Pp. xii + 340. £25.00. JOURNAL ARTICLE published 1986 in Theatre Research International |
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The Cambridge Companion to Arthur Miller. Edited by Christopher Bigsby. Cambridge: Cambridge University Press, 1997. Pp. xix + 277 + illus. £37.50/$59.95 Hb; £13.95/$18.95 Pb. JOURNAL ARTICLE published 1998 in Theatre Research International |
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Theatre in Vienna: A Critical History, 1776–1995. By W. E. Yates. Cambridge: Cambridge University Press, 1996; pp. xxiv + 328. $59.95. JOURNAL ARTICLE published May 1998 in Theatre Survey |
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The Cambridge History of American Theatre, volume 1: Beginnings to 1870. Edited by Don B. Wilmeth and Christopher Bigsby. Cambridge: Cambridge University Press, 1998. Pp. xvi + 525 + illus. $69.95 Hb. The Cambridge History of American Theatre, volume 2: 1870 to 1945. Edited by Don B. Wilmeth and Christopher Bigsby. Cambridge: Cambridge University Press, 1999. Pp. xviii + 590 + illus. $95 Hb. The Cambridge History of American Theatre, volume 3: Post World War II to the 1990s. Edited by Don B. Wilmeth and Christopher Bigsby. Cambridge: Cambridge University Press, 2000. JOURNAL ARTICLE published March 2002 in Theatre Research International |
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The Cambridge Companion to Arthur Miller. Edited by Christopher Bigsby. Cambridge and New York: Cambridge University Press, 1997; pp. 277. $59.95 cloth. $18.95 paper. - The Cambridge Companion to Tennessee Williams. Edited by Matthew C. Roudané. Cambridge and New York: Cambridge University Press, 1997; pp. 227. $59.95 cloth. $18.95 paper. JOURNAL ARTICLE published November 1999 in Theatre Survey |
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Romeo and Juliet. Edited by G. Blakemore Evans. Cambridge: Cambridge University Press, 1984. Pp. xiv + 249 + illus. £15; £2.95. - The Taming of the Shrew. Edited by Ann Thompson. Cambridge: Cambridge University Press, 1984. xiii + 190 + illus. £15; £3.50. - Othello. Edited by Norman Sanders. Cambridge: Cambridge University Press, 1984. Pp. xiii + 209 + illus. £15; £2.95. JOURNAL ARTICLE published 1985 in Theatre Research International |
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Lukas Erne. <i>Shakespeare and the Book Trade</i>. Cambridge: Cambridge University Press, 2013. Pp 302. Lukas Erne. <i>Shakespeare as Literary Dramatist</i>. 2nd ed. Cambridge: Cambridge University Press, 2013. Pp 323. JOURNAL ARTICLE published 7 July 2014 in Early Theatre |
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Shakespeare and Garrick. By Vanessa Cunningham. Cambridge: Cambridge University Press, 2008; pp. 231. $90 cloth. - Representing Shakespearean Tragedy: Garrick, the Kembles, and Kean. By Reiko Oya. Cambridge: Cambridge University Press, 2007; pp. 244. $99 cloth. JOURNAL ARTICLE published November 2010 in Theatre Survey |
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Ibsen's Women. By Joan Templeton. Cambridge: Cambridge University Press, 1997. Pp. xxi + 386 + illus. £45; $64.95 Hb. JOURNAL ARTICLE published 1998 in Theatre Research International |
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Ayanna Thompson, ed. The Cambridge Companion to Shakespeare and Race. Cambridge: Cambridge University Press, 2021. Pp 280. JOURNAL ARTICLE published 10 June 2022 in Early Theatre |
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Shakespeare's Theory of Drama. By Pauline Kiernan. Cambridge: Cambridge University Press, 1996. Pp. xii + 218. £30 Hb. JOURNAL ARTICLE published 1998 in Theatre Research International |
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Shakespeare and the Geography of Difference (Cambridge Studies in Renaissance Literature and Culture). By John Gilles. Cambridge: Cambridge University Press, 1994. Pp. xii + 255. £37.50 Hb; £14.95 Pb. JOURNAL ARTICLE published 1998 in Theatre Research International |